chesnutt
February 4th, 2010Another one.
A while ago I got on a Constellation Records kick. They’re my favourite label in a whole lot of ways, and I thought I’d pick up a few albums from their current roster blind.
One of them was the Clues album. It’s great — it’s Alden Penner, previously of the Unicorns, whom Mike and I saw in a very, very intimate setting at the Charlotte St. Arts Centre a while ago (though not as Clues then). The show we saw was … well, there were only three or so people in the crowd and probably more than that on stage, and it was pretty awkward all around, but they played well and everyone had a good time. Anyway, the Clues album hits me in a whole bunch of ways Islands (led by Nick Diamonds or whatever he’s calling himself lately, also previously of the Unicorns) doesn’t. I dig the first two Islands albums, but they haven’t really stayed up front and center in any concrete way in particular. Maybe it’s not fair to compare, I don’t know, but the Clues stuff seems to be a more natural progression from the Unicorns stuff — silly, all over the place, not so hi-fi, earnest and meaningful and maybe not quite right all the way around. Anyway, it’s a keeper.
But the one that has messed me up in all kinds of ways is the last Vic Chesnutt album, and I’ve barely even listened to it. I bought this just before Christmas … and before I had a chance to listen to it, the man died. It’s weird having an album of a man who just died floating around, resting here on my bookshelf, there on my nightstand, waiting to be listened to but more importantly, somehow, waiting for the right moment to be listened to. For whatever reason, I couldn’t just bring myself to rip it into iTunes and skip through it on my daily commute.
So a few nights ago I was just sitting in bed reading, and it was time. I listened to it through once, and then again. And you know, words can’t describe. There’s GSY! alumni on the album, so at some points it sounded familiar, and warm and welcome (or scary and unwelcome, depending) for it. The instrumentation is perfect. His voice, and his lyrics, are incomparable. This is a musician I could’ve fallen in love with at any time. And now — I won’t say it’s too late, because the music’s still there, but I can’t help but mourn for something, and someone I could’ve experienced alive, and now never will. That may be overstating the case a little bit. There’s a back catalogue I can explore and enjoy, after all. But any other option is now just null, and that’s as incomparably sad as the music is beautiful.


